Reviews
Reviews of the games we play, aiming to quickly encapsulate the game’s essence and quirks. Most games have an audience; our goal is for the review to make it clear to you whether you are part of a game’s audience - even if we aren’t.
A short and approachable RPG designed to be completed in two to four hours. The story is kept short, the mechanics are kept simple, and guide features keep the player from getting lost. The result is an enjoyable bite-sized RPG experience, though there is still room for improved approachability. It’s very similar to Archlion Saga and much of the following review is the same, but the stories and world are not connected and the games can be played independently.
A short and approachable RPG designed to be completed in two to four hours. The story is kept short, the mechanics are kept simple, and guide features keep the player from getting lost. The result is an enjoyable bite-sized RPG experience, though there is still room for improved approachability.
The aesthetic resembles SNES-era JRPGs, but several tweaks have been made to the UI.
A rhythm-game-like playable pop album. The mood and aesthetic are strong, but the game is more cinematic than playable which causes problems with its flow-breaking difficulty spikes.
Taken strictly as an audiovisual experience, the game is sublime. The mostly-abstract story of finding harmony after heartbreak complements the sad-pop soundtrack and blue/purple color palette, coming together to create a beautiful, dreamlike atmosphere.
A Minecraft-like game of gathering, crafting, and building wrapped in an action RPG. Set after the end of Dragon Quest II and loaded with callbacks to that game’s characters and events, the story casts you as an apprentice Builder who teams up with the amnesiac Malroth in human form (who does not remember that he is actually the demonic Master of Destruction) to stand against the Children of Hargon, a monster-led church that has outlawed building.
A basic snowboarding game. There are many levels, each featuring a short and mostly-linear descent, though many of them have wide portions where there are effectively multiple paths. There are ramps and hills to jump and do tricks off of for points and collectibles that also award points, and generally the collectibles that are harder to reach are worth more points.
A cute little (less than an hour) shooter with minimalist plot, graphics, and sound. As Princess Remedy, progress through a series of areas presented with the look of an old-school RPG as you climb the ominous Boss Tower gathering power-ups and healing everyone you come across.
Each area has a number of NPCs to heal, which is accomplished via playing a quick single-stick shooter level (you continually shoot the direction you last moved in).
A Picross game with some fantasy RPG trappings. Solve puzzle grids to defeat enemies, collect treasure, and complete quests as you save the kingdom.
The core Picross gameplay is straightforward and serviceable but has no options and no touchscreen control. Normal rules are in effect, penalizing the player for incorrect fill-ins with either an enemy attack against player health or a reduction in collected gold, depending on the type of encounter.
A short narrative adventure game where you play as a robotic vacuum cleaner named Rumu who is designed to clean messes and feel love. It soon becomes clear that things are not as they appear and there are mysteries to solve - possibly deadly ones.
The game features a sleek, ultramodern aesthetic with visuals that wouldn’t be out of place in some kind of near-future interactive IKEA catalog or a commercial for Aperture Science.
A short dialog-free comedic adventure that’s apparently intended to serve as a prequel to a fuller game later on. You play as a skeletal pirate seeking a great treasure who must deal with various setbacks, obstacles, and enemies along the way.
Over the game’s short run time (my playthrough was about forty minutes) it flirts briefly with many different minigame-like interaction methods.
A rhythm game where notes flow from the center of the screen to the left or right sides of an outer circle. Depending on the note type and the portion of the circle it hits, the player must press the correct button or stick (or on some platforms, tap the screen) in the correct way with the correct timing.