Posts by Tag / TOPIC: Sequels (7)

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I think Dragon Quest has held on to its core...

I think Dragon Quest has held on to its core identity in a way that Final Fantasy hasn’t.

Dragon Quest has evolved, but there’s a clear through-line from the original game to now. As the series and its fans both grow up the games lean a bit more on nostalgia - and a huge part of why that’s effective is because the series has maintained a consistent tone across its installments. Playing Dragon Quest XI today feels a lot like how it felt to play Dragon Quest III on the NES.

Final Fantasy, meanwhile, has reinvented itself a few times. Multiple mainline games feel like the sort of experiment you normally see as a spin-off title, taking the series in bold new directions that sometimes stick and sometimes don’t. Final Fantasy XV is all-but unrecognizable as a descendant of, say, Final Fantasy IV. There’s still nostalgia, but it feels more detached - like bits of intertextual homage rather than bringing tradition forward.

For example: Final Fantasy XV feels the need to justify/contextualize the inclusion of the classic victory theme by having one of its characters sing it. Meanwhile, Dragon Quest XI just straight-up uses the classic sound effects.

Modern Final Fantasy is nostalgic for classic Final Fantasy. Modern Dragon Quest still is classic Dragon Quest.

I think this is why, despite having played more Final Fantasy as a child, it’s Dragon Quest that I’m still drawn to today. It’s Dragon Quest that I want to wrap myself in like a blanket.

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Sequels Dilute Economic Votes

It’s not clear to me the extent to which various game developers/publishers understand that sales within a franchise can be a lagging indicator.

For example, I used to love the Senran Kagura series of games and I was happy to support it by buying the first several installments - especially the ones that were clearly experiments to see if the games would sell in the west. But the series has clearly lost steam, and the last few games have each been noticeably worse than the one before.

Now here comes Senran Kagura: Burst Re:Newal, a remake of the 3DS original for PC/PS4, and it sounds much better. The original story’s emotional and moral depth is what hooked me on the series in the first place, and this title not only returns to the brawler-style gameplay but apparently improves on it.

This is probably going to be the first Senran Kagura game that I rent instead of buying. My willingness to throw money at this series is dulled considerably after playing the fine-I-guess Estival Versus, the disappointing Peach Beach Splash, and the terrible Reflexions - all of which I did buy. So now I’ve supported bad games and won’t be supporting the presumably-improved one.

I just hope that either most players aren’t like me or the decision makers here understand how this works. But I guess if Burst Re:Newal is totally amazing, I’ll probably go buy it just in case.

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The One Commandment for Game Sequels

I’ve been thinking a lot lately about franchises. Having recently played Mass Effect 2, and then Assassin’s Creed II, and now Uncharted 2, I have a lot of questions about what sequels are and what they should be.

When I played the original Mass Effect, I fell head-over-heels in love. I made three complete play-throughs in rapid succession, I devoured both novels available at the time (Revelation and Ascension), and when called upon to name my favorite three video games, Mass Effect made the cut.

Then I played Mass Effect 2, and now I barely care about the series. I mean, I’ll probably play Mass Effect 3. I guess. Certainly not for full launch-day price. You can bet I won’t pre-order, even if they don’t pull any of my pet peeve shenanigans.

What happened here that turned my devoted fandom to near indifference?

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When the Oldies are Not Goodies: The Questionable Legacy of Nostalgia

Game Over Photo copyright Mykl Roventine - original at http://www.flickr.com/photos/myklroventine/3210068573/

Game Over Photo copyright Mykl Roventine

Once upon a time, people didn’t buy video games. They went to an arcade, and bought playtime in twenty-five cent increments. How much time a quarter bought was completely dependent on the skill of the player. An unskilled player would find their progress barred quickly, and need to supply more quarters. A skilled player could proceed much longer, and was thus rewarded for the time, effort, and money poured into gaining their skill. The public nature of the arcade also rewarded the skilled player with the opportunity to show off in front of others. This provided the unskilled players with something to aspire to and suggested that it would be worthwhile to keep feeding the machines with quarters, so that they too might someday bask in similar glory. So it made a great deal of financial sense for arcade games to feature limited lives with more available for purchase.

Eventually video games moved from the arcade to the living room. Here it was much harder for a player to compare themselves to other local players, and there was no need to keep the quarters flowing since games were purchased outright. The reasons to limit lives had vanished, and barring the progress of unskilled players now served mainly to disrupt the experience and prevent those players from seeing all the content of the game for which they had already paid. This limited the games’ potential audience - why buy a game you can’t expect to make it through? Financially, it made no sense whatsoever for games played in the home to feature limited lives.

But that didn’t stop them from doing it anyway. From the original Super Mario Brothers on the NES all the way up to New Super Mario Brothers on the Wii, mainstream games have still not completely shaken off the limited lives trend. Why?

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Future's Past: Ratchet & Clank and the Problem of Sequels

Ratchet as seen in each of the first five Ratchet & Clank games

Insomniac’s Ratchet and Clank have come a long way. Seven years after their first outing in late 2002, Ratchet & Clank Future: A Crack In Time marks the ninth installment of a franchise spanning three platforms. (Tenth and four if you count the oft-forgotten Ratchet & Clank: Going Mobile.) They’ve even got action figures now.

A Crack In Time is easily the best Ratchet & Clank game on the PS3, and will be many fans’ favorite of the whole series. It certainly does have several series bests: the best writing, the best humor, the best Clank gameplay, the return of the series’s best villain, and the single most fascinating and complex character ever to grace a Ratchet & Clank game.

But to understand A Crack In Time’s greatest triumph, what it accomplishes that none of its predecessors do, we have to look back through the evolutionary paths traced by the series.